Alligator also features its own effects section where distortion, modulation and delay can be applied to each of the three channels independently. Neptune: Propellerheads have always been highly regarded for their time-stretching technology.
The voice synthesis features allow the user to make new harmonies and create all manner of weird and wonderful effects. The interface records two versions of the input signal to separate channels one at a lower volume. If the recording clips in any place you have a backup piece of audio you can use instead.
Very clever. Upgrades : Reason 6 is due to ship on September 30th, There are a range of grace period and free upgrade details on the Propellerheads site for those who want to purchase Record Reason Duo, Reason or Record from now until end of October. So what's your take on the new Reason 6 announcement? Excited about Balance? Let us know by popping your thoughts into a comment below and stay tuned to macProVideo.
More articles by this author. Rounik is the Executive Editor for Ask. He's built a crack team of professional musicians and writers to create one of the most visited online resources for news, review, tutorials and interviews for modern musician and producer.
Read More. Create an account or login to get started! Audio is your ultimate daily resource covering the latest news, reviews, tutorials and interviews for digital music makers, by digital music makers. Log In Create Account. A NonLinear Educating Company. Arguably the most accessible, enjoyable and cool music program on the planet, Reason just got an upgrade. And on the technical front, there's finally bit support, which will be a big deal for some users.
When Record was announced, we were initially sceptical about the claims as to the realism and authenticity of their SSL-modelled desk. However, authentic is precisely what it turned out to be. The eight busses; the per-channel gating, compression and EQ; the sidechain for the compressors including that master output - it's all there. And then there's that famous bus compressor.
Now, this is not quite the all-purpose mix panacea that some people make it out to be, but when you want that specific radio pop sound, it's a fantastic recreation that can easily get you there. As well as being a great tool for quickly shaping mixes, the mixer imbues warmth and cohesion - we even know of a few producers who have used it as their final mix tool on stems from another DAW.
As far as the interface goes, its appearance is pleasingly chunky and the control ranges well calibrated. One thing to be aware of is that Reason still only runs as a ReWire slave, so you can't route tracks from, say, Cubase or Logic directly into Reason's mixer using ReWire - you'll have to bounce down to WAV and import.
For us, though, it's all about the new devices: The Echo, Pulveriser and Alligator. There are Trigger and Roll modes, too; Trigger uses a switch to momentarily open a gate on the input signal, while Roll has a slider that, when increased, causes the input signal to be 'frozen' by the delay. A ducking mode uses the input to drop the delays in level, enabling you to add masses of delay without it swamping the dry signal - brilliant for vocals.
And there's one more clever touch: a breakout section for the delay signal lets you run it through other devices before feeding back to the delay line's input.
The creative potential of all of this is simply huge. It sounds terrific and can more than hold its own against top-end plug-ins when it comes to adding grunge, age, warmth and character. It's not just for drums, though - we found Pulveriser to be particularly sweet on all kinds of so-called real instruments.
Alligator splits the signal into three frequency bands, with each gated by MIDI, CV, manually by using the Manual buttons or preset patterns many of which work independently on each of the three bands. The dry signal can duck the processed one, too, like The Echo. We'd love to see this added to Reason's existing delays and reverbs.
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Harmonizer Dual Pitch Shifter. In Stock. Digital Delivery.
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